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	<title>Comments on: Hail Satan!</title>
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		<title>By: Jim Lochner</title>
		<link>http://www.filmscoreclicktrack.com/2009/04/hail-satan/#comment-4845</link>
		<dc:creator>Jim Lochner</dc:creator>
		<pubDate>Fri, 11 Feb 2011 03:39:05 +0000</pubDate>
		<guid isPermaLink="false">http://www.filmscoreclicktrack.com/?p=716#comment-4845</guid>
		<description>I&#039;ve heard good things about DEVIL.

STILL OF THE NIGHT is certainly one of those long-forgotten early Streep vehicles. You never know. It might show up some day paired with something else.</description>
		<content:encoded><![CDATA[<p>I&#8217;ve heard good things about DEVIL.</p>
<p>STILL OF THE NIGHT is certainly one of those long-forgotten early Streep vehicles. You never know. It might show up some day paired with something else.</p>
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		<title>By: Gersham Hayden Weekes</title>
		<link>http://www.filmscoreclicktrack.com/2009/04/hail-satan/#comment-4842</link>
		<dc:creator>Gersham Hayden Weekes</dc:creator>
		<pubDate>Thu, 10 Feb 2011 23:58:45 +0000</pubDate>
		<guid isPermaLink="false">http://www.filmscoreclicktrack.com/?p=716#comment-4842</guid>
		<description>Though I&#039;m sure he can&#039;t compare to the blood-churling effect of Goldsmith&#039;s &quot;Omen&quot; output, Fernando Velázquez&#039;s score for the 2010 film &quot;Devil&quot; was an interesting effort for the dark side. I was enthralled by his Main Title: those brassy horns gurgling with foreboding and approaching dread. I was so impressed with it that I recorded it straight off my computer for import into my ipod nano; the score recording is not commercially available.

Speaking of outstanding releases, one that I&#039;m still waiting for after nearly thirty (30) years) is John Kander&#039;s score for &quot;Still of the night&quot;. Like &quot;Devil&quot;, the Main Title of this Meryl Streep vehicle left a durable impression on me. I also imported it into my ipod nano in similar fashion. The film required little music which otherwise didn&#039;t impress me but the opening cue with its pian-driven motiff is an excellent example of less is more: think Rachel Portman deluxe.</description>
		<content:encoded><![CDATA[<p>Though I&#8217;m sure he can&#8217;t compare to the blood-churling effect of Goldsmith&#8217;s &#8220;Omen&#8221; output, Fernando Velázquez&#8217;s score for the 2010 film &#8220;Devil&#8221; was an interesting effort for the dark side. I was enthralled by his Main Title: those brassy horns gurgling with foreboding and approaching dread. I was so impressed with it that I recorded it straight off my computer for import into my ipod nano; the score recording is not commercially available.</p>
<p>Speaking of outstanding releases, one that I&#8217;m still waiting for after nearly thirty (30) years) is John Kander&#8217;s score for &#8220;Still of the night&#8221;. Like &#8220;Devil&#8221;, the Main Title of this Meryl Streep vehicle left a durable impression on me. I also imported it into my ipod nano in similar fashion. The film required little music which otherwise didn&#8217;t impress me but the opening cue with its pian-driven motiff is an excellent example of less is more: think Rachel Portman deluxe.</p>
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		<title>By: My Soundtrack Collection, Circa 1978 &#124; Film Score Click Track</title>
		<link>http://www.filmscoreclicktrack.com/2009/04/hail-satan/#comment-3491</link>
		<dc:creator>My Soundtrack Collection, Circa 1978 &#124; Film Score Click Track</dc:creator>
		<pubDate>Thu, 27 May 2010 13:27:58 +0000</pubDate>
		<guid isPermaLink="false">http://www.filmscoreclicktrack.com/?p=716#comment-3491</guid>
		<description>[...] never heard of the terms &#8220;film score&#8221; or &#8220;film music&#8221;) were the Big Three: THE OMEN, STAR WARS, and CLOSE ENCOUNTERS OF THE THIRD KIND. These were the first three scores I purchased [...]</description>
		<content:encoded><![CDATA[<p>[...] never heard of the terms &#8220;film score&#8221; or &#8220;film music&#8221;) were the Big Three: THE OMEN, STAR WARS, and CLOSE ENCOUNTERS OF THE THIRD KIND. These were the first three scores I purchased [...]</p>
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		<title>By: 9 Oscar-Winning Scores In Need of a Release &#124; Film Score Click Track</title>
		<link>http://www.filmscoreclicktrack.com/2009/04/hail-satan/#comment-339</link>
		<dc:creator>9 Oscar-Winning Scores In Need of a Release &#124; Film Score Click Track</dc:creator>
		<pubDate>Mon, 06 Jul 2009 21:31:03 +0000</pubDate>
		<guid isPermaLink="false">http://www.filmscoreclicktrack.com/?p=716#comment-339</guid>
		<description>[...] In the late 1970s, as a film score virgin, I figured that any organization that awarded my beloved OMEN soundtrack must know what they&#8217;re doing. (No comment.) Awards are no harbinger of quality and that [...]</description>
		<content:encoded><![CDATA[<p>[...] In the late 1970s, as a film score virgin, I figured that any organization that awarded my beloved OMEN soundtrack must know what they&#8217;re doing. (No comment.) Awards are no harbinger of quality and that [...]</p>
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		<title>By: It&#8217;s a Bird, It&#8217;s a Plane! &#124; Film Score Click Track</title>
		<link>http://www.filmscoreclicktrack.com/2009/04/hail-satan/#comment-190</link>
		<dc:creator>It&#8217;s a Bird, It&#8217;s a Plane! &#124; Film Score Click Track</dc:creator>
		<pubDate>Wed, 27 May 2009 21:28:21 +0000</pubDate>
		<guid isPermaLink="false">http://www.filmscoreclicktrack.com/?p=716#comment-190</guid>
		<description>[...] memories of watching George Reeve on TV as a kid. Having Richard Donner, who directed my beloved OMEN, attached to the picture helped a bit. But only one aspect of the film appealed to me--John [...]</description>
		<content:encoded><![CDATA[<p>[...] memories of watching George Reeve on TV as a kid. Having Richard Donner, who directed my beloved OMEN, attached to the picture helped a bit. But only one aspect of the film appealed to me&#8211;John [...]</p>
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